Discrete Sampling : There is No Object or Field … Just Statistical Digital Patterns (Record no. 10857)
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| fixed length control field | 01237nab a2200181 4500 |
| 005 - DATE & TIME | |
| control field | 20201208122026.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 201208b ||||| |||| 00| 0 eng d |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Koh, Immanuel |
| 245 ## - TITLE STATEMENT | |
| Title | Discrete Sampling : There is No Object or Field … Just Statistical Digital Patterns |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Name of publisher, distributor, etc | Wiley |
| Date of publication, distribution, etc | 2019 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Pages | Vol 89, Issue 2, 2019 : (102-109 p.) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | The analogue differentiation between figure and ground has long been a given in architectural design. Challenging this, Immanuel Koh's doctoral research at the École Polytechnique Fédérale de Lausanne in Switzerland involves digitally decomposing existing designs into discrete figure‐and‐ground cells. These can then generate new configurations with similar spatial features to the iconic structures they derive from: Walter Gropius's 1926 Bauhaus building in Dessau, Mies van der Rohe's 1929 Barcelona Pavilion, and Andrea Branzi's 1969 No‐Stop City. He reflects on precursors to his work and on its relevance to architecture's future. |
| 773 0# - HOST ITEM ENTRY | |
| Host Biblionumber | 8720 |
| Host Itemnumber | 15394 |
| Place, publisher, and date of publication | West Sussex John Wiley & Sons Ltd. 1999 |
| Title | Architectural design |
| International Standard Serial Number | 0003-8504 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | https://doi.org/10.1002/ad.2418 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Articles |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| -- | 33687 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| -- | ddc |
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