Stage Left, Stage Right – The Heavens & Hell: (Record no. 13753)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 00986nab a2200181 4500 |
| 005 - DATE & TIME | |
| control field | 20230714144044.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 230714b |||||||| |||| 00| 0 eng d |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Boyd, Michael |
| 245 ## - TITLE STATEMENT | |
| Title | Stage Left, Stage Right – The Heavens & Hell: |
| Sub Title | Embodied Meaning & Memory in Performance/ |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Name of publisher, distributor, etc | Wiley, |
| Date of publication, distribution, etc | 2020. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Pages | Vol 90, Issue 6, 2020:( 22-27 p.). |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | Former Artistic Director of the Royal Shakespeare Company Michael Boyd proposes an analogy between the ‘thrust’ stage and the human brain. On the thrust stage, he suggests, the actor holds the centre of the auditorium, in creative tension with the complex ‘mind’ of a four-dimensional space that demands and allows communication with, and between, a thousand different points of view. |
| 773 0# - HOST ITEM ENTRY | |
| Host Biblionumber | 8720 |
| Host Itemnumber | 16908 |
| Place, publisher, and date of publication | West Sussex John Wiley & Sons Ltd. 1999 |
| Title | Architectural design |
| International Standard Serial Number | 0003-8504 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | https://doi.org/10.1002/ad.2627 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | E-Journal |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| -- | 55769 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| -- | ddc |
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