| 000 | 01116nab a2200205 4500 | ||
|---|---|---|---|
| 999 |
_c10913 _d10913 |
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| 003 | OSt | ||
| 005 | 20201209143549.0 | ||
| 007 | cr aa aaaaa | ||
| 008 | 201209b ||||| |||| 00| 0 eng d | ||
| 100 |
_aWatson, Fleur _932533 |
||
| 245 | _aBeauty is in the Back Story: Diversity, Complexity and Collaborative Making in the Australian Condition | ||
| 260 |
_bWiley _c2019 |
||
| 300 | _aVol 89, Issue 5, 2019 : (104-111 p.) | ||
| 520 | _aCurator and author Fleur Watson and Martyn Hook, Dean of the School of Architecture and Urban Design at RMIT University in Melbourne, talk to John Wardle, principal of John Wardle Architects. Wardle explains that his conception of beauty is in understanding where an object has been made, by whom, when and why. His practice therefore works very closely with craftsmen, even in these technology‐enhanced, post‐digital times. | ||
| 700 |
_aHook, Martyn _933727 |
||
| 700 |
_aWardle, John _933813 |
||
| 773 | 0 |
_08720 _915394 _dWest Sussex John Wiley & Sons Ltd. 1999 _tArchitectural design _x0003-8504 |
|
| 856 | _uhttps://doi.org/10.1002/ad.2486 | ||
| 942 |
_2ddc _cART |
||