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100			_aGiubilaro, Chiara _952783
245			_aRegarding the shipwreck of others: _bfor a critical visual topography of Mediterranean migration
260			_bsage _c2020
300			_aVol 27, Issue 3, 2020 : (351-366 p.).
520			_aThis article reflects on the relationship between photography and migration from a cultural geography perspective, with particular reference to the visual construction of the Mediterranean border regime. The contemporary aesthetics of Mediterranean migration is one of the domains in which visual and social norms are most closely intertwined. My main purpose is to unveil these processes of mutual (re)production by analysing how photographs forge our everyday perceptions of migration and affect our very ability to produce ethical and political responses to the events they portray. Drawing on a range of fields and approaches, including cultural geography, visual culture studies and postcolonial theories, I attempt here to develop a critical topography of looking, mapping out some of the performances and places involved in looking at Mediterranean migration. In the final part of the article, I seek to reinforce my theoretical statements by focusing on two photographic images of people being rescued along the Mediterranean route, in order to illustrate how photography can actually interfere with our ability to create spaces of cultural and political responsibility
650			_aMediterranean, _947901
650			_a migration, _952784
650			_a photography, _952785
650			_atopography of looking, _952786
650			_avisual geography _952787
773	0		_010528 _916510 _dSage publisher 2019 - _tCultural geographies
856			_uhttps://doi.org/10.1177/1474474019884928
942			_2ddc _cART
999			_c12956 _d12956