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| 008 | 230714b |||||||| |||| 00| 0 eng d | ||
| 100 |
_aBoyd, Michael _955769 |
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| 245 |
_aStage Left, Stage Right – The Heavens & Hell: _bEmbodied Meaning & Memory in Performance/ |
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| 260 |
_bWiley, _c2020. |
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| 300 | _aVol 90, Issue 6, 2020:( 22-27 p.). | ||
| 520 | _aFormer Artistic Director of the Royal Shakespeare Company Michael Boyd proposes an analogy between the ‘thrust’ stage and the human brain. On the thrust stage, he suggests, the actor holds the centre of the auditorium, in creative tension with the complex ‘mind’ of a four-dimensional space that demands and allows communication with, and between, a thousand different points of view. | ||
| 773 | 0 |
_08720 _916908 _dWest Sussex John Wiley & Sons Ltd. 1999 _tArchitectural design _x0003-8504 |
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| 856 | _uhttps://doi.org/10.1002/ad.2627 | ||
| 942 |
_2ddc _cEJR |
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_c13753 _d13753 |
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